Connie Michele Morey’s studio practice explores the experience of home as ecological interdependence. Through performance with textiles and sculpture, documented through photography and video, her work questions the effects of colonial industry and labour practices on inter-species displacement. Connie’s practice is influenced by childhood experiences living rurally off the land, while being surrounded by family traditions of masonry, construction, and textiles. Her family history mingles settler and Indigenous identities (Scottish, Scandinavian, and Anishinaabe), and her studies in sculpture, textiles, and philosophy (with an emphasis on ecology and decolonial studies) have impacted her interest in the politics of displacement. 

The Artwork

The Body Listens invites artists and members of the public to participate in a community art project ​that focuses on listening and mending as acts of ecological solidarity and collective healing. 

Listening is a form of attentiveness. When we actively listen, we are open and present. This impacts our physiology in positive ways. It also opens us up to receive information from the world, and increases our receptivity and connection with those we listen to and with. This is not only true of listening to humans but also when we listen to nature. When we feel connected to the communities and ecosystems we are a part of, we have a greater capacity to engage with empathy and compassion.

Community members can participate in The Body Listens by signing up for a free listening kit, which contains a listening band (a prepared piece of cloth), and other stitching supplies. Visit the project website for details and to sign up!